"Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch)" by Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser had its release date on April 5, 2013. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #7. Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: 12 Gedichte aus Friedrich Rückerts "Liebesfrühling", Op. 37: No. 7, Schön ist das Fest des Lenzes (Einfach und nicht rasch) by Clara Schumann, Friedrich Rückert, Robert Schumann, Edda Moser having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evening songs: I. Kdo v zlaté struny zahrát zná | Bedřich Smetana, Vítězslav Hálek, Friedrich Rückert, Otakar Zich, Eva Děpoltová, Jiri Pokorny, Josef Veselka, Zdeněk Košler, Jiří Bělohlávek, Milan Malý, Václav Neumann, Václav Smetáček, Vladimír Válek, Karel Sejna, Prague Symphony Orchestra, Czech Philharmonic Orchestra, Dvořák Chamber Orchestra, Suk Trio | D♭ Minor | 1 | 12A | 82 BPM | ||
Messa di Gloria: Sanctus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
IFH 7: Warum sind denn die Rosen so blass? | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | A Minor | 3 | 8A | 126 BPM | ||
Kapitel 5.3 - Katzengeschichten von Goethe bis Tucholsky | Kurt Tucholsky, Gustav Schwab, Friedrich Rückert | F Major | 3 | 7B | 110 BPM | ||
Liebesliederwalzer, Op. 52: V. Die grüne Hopfenranke | Johannes Brahms, Georg Friedrich Daumer, Werner Güra, Stella Doufexis, Marlis Petersen, Christoph Berner, Camillo Radicke, Konrad Jarnot | A♭ Major | 1 | 4B | 140 BPM | ||
Five Elizabethan Songs: IV. Sleep | Ivor Gurney, Jodie Devos, Nicolas Krüger | B♭ Minor | 1 | 3A | 95 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Pieśni, Op.1: V. Pamiętam ciche, jasne, złote dnie | Mieczysław Karłowicz, Piotr Beczala, Helmut Deutsch | B Minor | 0 | 10A | 77 BPM |