"Viens, mon bien-aimé" by Cécile Chaminade, Sivan Goldman, Shira Shaked was released on March 8, 2024. With Viens, mon bien-aimé being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 4 in the song's album "The Feminine Voice". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Viens, mon bien-aimé is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Viens, mon bien-aimé by Cécile Chaminade, Sivan Goldman, Shira Shaked having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Godard: Jocelyn, Op. 100, Act 2: "Cachés dans cet asile" (Jocelyn) | Benjamin Godard, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Melodies for Piano and Voice: No. 3, Fragilité | Cécile Chaminade, Katharina Kammerloher, Johann Blanchard | G Major | 1 | 9B | 79 BPM | ||
Universal Connection: Rosenwald | OHNomad, Ann Kuo | B♭ Minor | 1 | 3A | 84 BPM | ||
Trois mélodies, Op. 23: No. 2, Notre amour | Dilyana Georgieva, Galina Apostolova | E Major | 3 | 12B | 102 BPM | ||
L'invitation au voyage | Dilyana Georgieva, Galina Apostolova | C Minor | 3 | 5A | 84 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Songs on One Page, H. 294: No. 1, Rosička | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A♭ Major | 0 | 4B | 77 BPM | ||
Act Two: Aria Ali: Unter Palmen Schlief Ich Ein - opera | Manhattan School of Music Opera Theater | D Major | 0 | 10B | 85 BPM | ||
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Gounod: Roméo et Juliette, Act 2: "L’Amour!..." (Romeo) | Charles Gounod, Pene Pati, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | D Major | 2 | 10B | 99 BPM |
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