- BPM
- 78
- Key
- G Minor
- Camelot
- 6A
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) - Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse Information
- Acousticness
- 97%
- Danceability
- 10%
- Energy
- 1%
- Instrumentalness
- 3%
- Liveness
- 7%
- Loudness
- 47%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -31.683 dB
Summary
"Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan)" by Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse was released on 1993. With Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jules Massenet, Michel Plasson's "Massenet: Don Quichotte" album is number 3 out of 29. On top of that, France appears to be the country where this track was created. Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) BPM
We consider the tempo marking of Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) by Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) Key
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: Tosca, Act 1: "La corona! Lo stemma!" (Tosca, Scarpia) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Ruggero Raimondi, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | |
 | Die Fledermaus: Act I: Trio: Nein, mit solchen Advokaten (Rosalinde, Eisenstein, Blind) | Johann Strauss II, Aga Mikolaj, Paul Armin Edelmann, Jürgen Sacher, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 4 | 9B | 142 BPM | |
 | Debussy: Fantaisie for Piano and Orchestra, L. 72b: III Allegro molto (Second Version) | Claude Debussy, François-René Duchâble, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 1 | 11B | 98 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | |
 | Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Qui suis-je? Du théâtre antique (L'Opinion Publique) | Jacques Offenbach, Eva Podles/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | F Minor | 0 | 4A | 93 BPM | |
 | A Midsummer Night's Dream, Op. 61: No. 3, Lied mit Chor. Allegro ma non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos, Damen der Zürcher Sing-Akademie, Andreas Felber | E Major | 1 | 12B | 72 BPM | |
 | Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | |
 | Beethoven: Fidelio, Op. 72: "Gott! Welch Dunkel hier!" - "In des Lebens" (Florestan) | Ludwig van Beethoven, Michael Spyres, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 102 BPM | |
 | Les nuits d'été, H 81: No. 2, Le spectre de la rose | Hector Berlioz, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | |
| Carmen, Act I, No.3 Choeur des Gamins: Rècit: Une jeune fille charmante (Moralès/Don José)Et la garde descendante rentre chez elle et s'en va (Enfants) | Georges Bizet, Ludovic Tézier/Roberto Alagna/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 1 | 8B | 126 BPM |
- ISRC
- FRZ119212320
- Label
- L-M Records/RCA Records
Section: 0.7312347888946533
End: 0.7370095252990723