Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger's 'Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento' came out on May 1, 2012. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Koechlin, Heinz Holliger's "Magicien orchestrateur" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Pelleas et Melisande, Op. 80 (arr. C. Koechlin): VI. Chanson de Melisande - Molto lento by Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tailleferre: Valse lente | Germaine Tailleferre, Alexandre Tharaud | D Major | 0 | 10B | 60 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | A Minor | 1 | 8A | 0 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | F♯ Minor | 1 | 11A | 95 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio | Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi | D♭ Major | 0 | 3B | 69 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
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