Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia's '4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3' came out on January 1, 2003. With 4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 31 in Francaix, J.: Princesse De Cleves (La) / 15 Portraits D'Enfants D'Auguste Renoir / Koechlin, C.: 4 Vocalises (Lences) by Lajos Lencsés, Patrick Strub, Alain Moglia. In terms of popularity, 4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 3 by Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concert, Op. 7: I. Allegro moderato | Clémence de Grandval, Lajos Lencsés, Stuttgart Radio Symphony Orchestra, Andrey Boreyko | F Major | 1 | 7B | 118 BPM | ||
Missa pro defunctis (1650): III. Symphonia | Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe | D Major | 0 | 10B | 136 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Chanson de Ronsard, H. 54 (Arr. for Flute & Piano) | Arthur Honegger, Junko Teramoto, Kozue Takagi | F Major | 0 | 7B | 71 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Oboe Concerto in G Major, L. 42: III. Allegro | Carl Ditters von Dittersdorf, Lajos Lencsés, Franz Liszt Chamber Orchestra, János Rolla | G Major | 2 | 9B | 133 BPM | ||
Symphony No. 4, Op. 82: III. Adagietto | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic Orchestra | C Major | 0 | 8B | 88 BPM |
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