Wolfgang Amadeus Mozart, Friedrich Gulda, Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado's 'Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2)' came out on January 1, 1975. Since Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Friedrich Gulda, Wiener Philharmoniker, Claudio Abbado's "Mozart: Piano Concertos Nos. 20 & 21" album is number 3 out of 6. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piano Concerto No. 20 in D Minor, K. 466: III. Rondo (Allegro assai) (Cadenzas by Gulda and Beethoven, WoO 58, 2) by Wolfgang Amadeus Mozart, Friedrich Gulda, Ludwig van Beethoven, Wiener Philharmoniker, Claudio Abbado to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Accellerationen Walzer, Op. 234 | Johann Strauss II, Carlos Kleiber, Wiener Philharmoniker | G Major | 1 | 9B | 107 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: II. Andantino | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | B♭ Major | 0 | 6B | 0 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
8 Fantasiestücke, Op. 12: 6. Fabel | Robert Schumann, Friedrich Gulda | D♭ Major | 1 | 3B | 70 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Prélude In G-Sharp Minor, Op.32, No.12 - Live | Sergei Rachmaninoff, Vladimir Horowitz | E Major | 0 | 12B | 68 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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