Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France made "Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto" available on September 7, 2018. Since Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto by Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Carillon | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 65 BPM | ||
Prélude In G-Sharp Minor, Op.32, No.12 - Live | Sergei Rachmaninoff, Vladimir Horowitz | E Major | 0 | 12B | 68 BPM | ||
No. 8, Am Kamin | Robert Schumann, Vladimir Horowitz | F Major | 1 | 7B | 206 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM |
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