- BPM
- 65
- Key
- E Major
- Camelot
- 12B
L'Arlésienne Suite No.1: Carillon - Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan Information
- Acousticness
- 97%
- Danceability
- 12%
- Energy
- 3%
- Instrumentalness
- 80%
- Liveness
- 48%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 9%
- Popularity
- 17%
- Loudness
- -20.937 dB
Summary
"L'Arlésienne Suite No.1: Carillon" by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1985. With this song being about 5 minutes long, at 4:31, "L'Arlésienne Suite No.1: Carillon" by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Bizet: L'Arlésienne Suites Nos.1 & 2; Carmen Suite by Georges Bizet, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. L'Arlésienne Suite No.1: Carillon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
L'Arlésienne Suite No.1: Carillon BPM
The tempo marking of L'Arlésienne Suite No.1: Carillon by Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
L'Arlésienne Suite No.1: Carillon Key
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No. 5 in C-Sharp Minor: IV. Adagietto (Sehr langsam) | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | F Major | 0 | 7B | 91 BPM | |
 | Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Major | 3 | 10B | 112 BPM | |
 | Symphony No.9 In E Minor, Op.95, B. 178 "From The New World": 3. Molto vivace | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 120 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM | |
 | Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | |
 | Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | |
 | Aufforderung zum Tanze, Op. 65, J.260 | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | |
 | Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace | Sergei Rachmaninoff, Berliner Philharmoniker, Kirill Petrenko | D Minor | 1 | 7A | 80 BPM | |
 | Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | |
 | Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM |
- ISRC
- DEF058400594
- Label
- L-M Records/RCA Records
Section: 0.8436176776885986
End: 0.8472347259521484