"Romeo and Juliet, Op. 64 - Act 1: The Young Juliet" by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel was released on January 1, 1973. The duration of Romeo and Juliet, Op. 64 - Act 1: The Young Juliet is about 3 minutes long, at 3:19. Based on our data, "Romeo and Juliet, Op. 64 - Act 1: The Young Juliet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Romeo and Juliet, Op. 64 - Act 1: The Young Juliet is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romeo and Juliet, Op. 64 - Act 1: The Young Juliet by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio Espagnol, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 135 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: IV. Fairy Godmother and Fairy Winter | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Symphony No. 8 in F Major, Op. 93: III. Tempo di Menuetto | Ludwig van Beethoven, London Symphony Orchestra, Yondani Butt | F Major | 0 | 7B | 83 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: I. Introduction | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
Die Walküre, WWV 86B, Act I: In the Sound Code, We "See" His Loving Gaze | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | G Minor | 0 | 6A | 91 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E♭ Major | 3 | 5B | 132 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM |
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