"Aufforderung zum Tanze, Op. 65, J.260" by Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1984. Aufforderung zum Tanze, Op. 65, J.260 appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Smetana: The Moldau / Liszt: Les Préludes; Hungarian Rhapsody No.5 / Weber: Invitation to the Dance / Rossini: "William Tell" Overture". In this album, this song's track order is #3. In terms of popularity, Aufforderung zum Tanze, Op. 65, J.260 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aufforderung zum Tanze, Op. 65, J.260 by Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Der Freischütz, Op. 77, J. 277: Entr'acte | Carl Maria von Weber, Berliner Philharmoniker, Wilhelm Furtwängler | A Major | 2 | 11B | 111 BPM | ||
La Damnation de Faust, Op.24: Hungarian March | Hector Berlioz, Herbert von Karajan, Berliner Philharmoniker | A Major | 3 | 11B | 106 BPM | ||
Má Vlast, JB1:112: 2. Vltava | Bedřich Smetana, Wiener Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 78 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Act Two (Part One) | Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von Karajan | F Minor | 1 | 4A | 147 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante - Arranged for Flute | Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker | C Major | 1 | 8B | 92 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 1. Andante - Allegro ma non troppo | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 131 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 149 BPM |
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