On September 25, 2015, the song "Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor" was released by Henryk Wieniawski, Itzhak Perlman. With Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Perlman & Zukerman - Duets for Two Violins". In this album, this song's track order is #6. In terms of popularity, Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Wieniawski: 8 Etudes-Caprices, Op. 18: No. 4 in A Minor by Henryk Wieniawski, Itzhak Perlman having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fiocco / Arr Fuessi: Allegro | Joseph-Hector Fiocco, Itzhak Perlman | G Major | 3 | 9B | 134 BPM | ||
Grand Caprice on Schubert's "Der Erlkönig", Op. 26. Presto | Heinrich Wilhelm Ernst, Ning Feng | C Major | 2 | 8B | 67 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Dvorák: Violin Concerto in A Minor, Op. 53, B. 108: III. Finale - Allegro giocoso, ma non troppo | Antonín Dvořák, Itzhak Perlman, Daniel Barenboim, London Philharmonic Orchestra | A Major | 3 | 11B | 138 BPM | ||
Rondino on a Theme by Beethoven | Samuel Sanders, Itzhak Perlman | E♭ Major | 1 | 5B | 130 BPM | ||
Scherzo-tarantelle in G Minor, Op. 16 | Henryk Wieniawski, James Ehnes, Eduard Laurel | D Major | 2 | 10B | 88 BPM | ||
Violin Sonata in G Minor, "Devil's Trill": III. Allegro assai | Giuseppe Tartini, Ray Chen | G Minor | 1 | 6A | 75 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 4 in C Minor | Niccolò Paganini, Itzhak Perlman | A♭ Major | 2 | 4B | 95 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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