Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim's 'Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo)' came out on January 1, 1981. Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Itzhak Perlman, Orchestre de Paris, Daniel Barenboim, Camille Saint-Saëns, Édouard Lalo, Hector Berlioz's "Lalo: Symphony espagnole Op.21 / Saint-Saens: Concerto For Violin And Orchestra No. 3 In B Minor, Op. 61 / Berlioz: Reverie et Caprice Op. 8 For Violin And Orchestra" album is number 3 out of 9. In terms of popularity, Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sayuri's Theme | John Williams, Yo-Yo Ma, Itzhak Perlman | D Major | 1 | 10B | 88 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 27 "Ballade" | Eugène Ysaÿe, Maxim Vengerov | G Minor | 1 | 6A | 141 BPM | ||
Wieniawski: 8 Etudes-Caprices, Op. 18: No. 2 in E-Flat Major | Henryk Wieniawski, Itzhak Perlman | C Minor | 1 | 5A | 94 BPM | ||
Casablanca: "As Time Goes By" (1942) | Herman Hupfeld, Itzhak Perlman, John Williams, Boston Pops Orchestra | A Minor | 2 | 8A | 113 BPM | ||
Symphony No. 2 in B Minor: 4. Finale: Allegro | Alexander Borodin, London Symphony Orchestra, Jean Martinon | F♯ Major | 2 | 2B | 143 BPM | ||
Bach, J.S.: Violin Partita No. 3 in E Major, BWV 1006: VII. Gigue | Johann Sebastian Bach, Itzhak Perlman | D♭ Minor | 2 | 12A | 116 BPM | ||
Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato | Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra | A Major | 1 | 11B | 146 BPM |
Section: 0.9366176128387451
End: 0.9395811557769775