Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra's 'Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato' came out on January 1, 1996. Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. There are a total of 5 in the song's album "Tchaikovsky : Symphony No.5 & 1812 Overture". In this album, this song's track order is #3. Based on our statistics, Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky : Symphony No.5 in E minor Op.64 : III Valse - Allegro moderato by Pyotr Ilyich Tchaikovsky, Daniel Barenboim, Chicago Symphony Orchestra having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit grösster Vehemenz | Gustav Mahler, Daniel Barenboim, Chicago Symphony Orchestra | E♭ Minor | 2 | 2A | 80 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Kinderszenen, Op. 15: 4. Bittendes Kind | Robert Schumann, Daniel Barenboim | G Major | 0 | 9B | 66 BPM | ||
Lieder ohne Worte, Op.53: No. 2. Allegro non troppo In E Flat, MWV U 109 - "The Fleecy Cloud" | Felix Mendelssohn, Daniel Barenboim | F Minor | 0 | 4A | 111 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, James Levine, Chicago Symphony Orchestra | E Major | 1 | 12B | 152 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM |
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