Herman Hupfeld, Itzhak Perlman, John Williams, Boston Pops Orchestra made "Casablanca: "As Time Goes By" (1942)" available on 1966. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Itzhak Perlman's "Itzhak Perlman - Original Jacket Collection" album is number 4 out of 95. On top of that, United States appears to be the country where this track was created. In terms of popularity, Casablanca: "As Time Goes By" (1942) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Casablanca: "As Time Goes By" (1942) by Herman Hupfeld, Itzhak Perlman, John Williams, Boston Pops Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): III. Clair de lune | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | D♭ Major | 0 | 3B | 86 BPM | ||
The Adventures of Robin Hood- Robin Hood and His Merry Men | Erich Wolfgang Korngold, London Symphony Orchestra, John Williams | F Major | 2 | 7B | 118 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Violin Concerto No. 2 in G Minor, Op. 63: II. Andante assai | Sergei Prokofiev, Itzhak Perlman, Erich Leinsdorf, Boston Symphony Orchestra | D Minor | 2 | 7A | 148 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Jascha Heifetz, Sir Malcolm Sargent | E Minor | 0 | 9A | 96 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Il Postino: Theme | Luis Bacalov, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 173 BPM | ||
Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM |
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