Lera Auerbach, Mari Samuelsen, Julien Quentin's '24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando' came out on May 20, 2022. With 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer's "LYS" album is number 10 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando by Lera Auerbach, Mari Samuelsen, Julien Quentin to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pièce en forme de habanera, M. 51 (Arr. for Cello & Piano) | Maurice Ravel, Istvan Vardai, Julien Quentin | G Major | 0 | 9B | 129 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
November | Max Richter, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Major | 4 | 8B | 120 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
Suite italienne (Version for Cello & Piano): II. Serenata | Igor Stravinsky, Istvan Vardai, Julien Quentin | C Minor | 0 | 5A | 67 BPM | ||
Snowflakes (Arr. for Violin and Orchestra from Morceaux, Op. 57 by Ben Palmer) | Selim Palmgren, Eldbjørg Hemsing, Arctic Philharmonic | F♯ Minor | 2 | 11A | 130 BPM | ||
Good Night, Day | Jóhann Jóhannsson, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer, Christian Badzura | A Minor | 2 | 8A | 98 BPM | ||
Bright Edge Deep: Bright Edge Deep | Sarah Neutkens, Alma Quartet Amsterdam | E♭ Major | 0 | 5B | 155 BPM |
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