Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti's 'Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus"' came out on January 1, 1972. With Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Heather Harper, Lucia Popp, Arleen Auger, Yvonne Minton, Helen Watts, René Kollo, John Shirley-Quirk, Martti Talvela, Vienna Boys' Choir, Wiener Singverein, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti's "Mahler: Symphony No.8" album is number 1 out of 16. Based on our statistics, Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Veni creator spiritus" by Gustav Mahler, Vienna State Opera Chorus, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / 3. Cour d'amours: "Circa mea pectora" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | A Minor | 4 | 8A | 82 BPM | ||
Götterdämmerung, WWV 86D / Act 3: Mime hieß ein mürrischer Zwerg | Richard Wagner, Wolfgang Windgassen, Gottlob Frick, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A Major | 1 | 11B | 71 BPM | ||
Requiem aeternam: Dies irae | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 3 | 7A | 88 BPM | ||
Wagner: Lohengrin, Act 3: "In fernem Land, unnahbar euren Schritten" (Lohengrin, König, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Peter Seiffert, René Pape, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Des Helden Friedenswerke (The Hero's Works of Peace) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | G Major | 0 | 9B | 82 BPM | ||
Requiem: IId. Liber scriptus | Giuseppe Verdi, Christa Ludwig, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 71 BPM | ||
Pomme d'Api: Bonjour Monsieur, je suis la bonne (Couplet) | Jacques Offenbach, Vesselina Kasarova, Ulf Schirmer | D Major | 0 | 10B | 78 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Requiem: IIf. Rex tremendae | Giuseppe Verdi, Mirella Freni, Christa Ludwig, Carlo Cossutta, Nicolai Ghiaurov, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 169 BPM | ||
The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) | Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D♭ Minor | 0 | 12A | 110 BPM |
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