"The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse)" by Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel was released on January 1, 1995. The duration of The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) is about 3 minutes long, at 3:25. Based on our data, "The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 23 in the song's album "Stravinsky: The Firebird Suite / Falla: El Amor Brujo; El Sombrero De Tres Picos". In this album, this song's track order is #22. In terms of popularity, The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) by Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser, Act II: Entrance of the Guests | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 1 | 1B | 125 BPM | ||
Japanese Suite, Op. 33: IV. Interlude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | D Major | 0 | 10B | 85 BPM | ||
Perpetuum mobile, Op. 257 | Johann Strauss II, Wiener Philharmoniker, Lorin Maazel | E♭ Major | 2 | 5B | 81 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): II. Danses suisses | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | G Major | 1 | 9B | 103 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 3. Menuetto (Allegro molto) | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | G Minor | 1 | 6A | 181 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM |
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