Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday made "L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I" available on February 12, 2013. The duration of L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Stravinsky: Octet & L'Histoire du Soldat". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With L'Histoire du Soldat (The Soldier's Tale) - Part I: Music to Scene I by Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Gurrelieder / Pt. 1: I. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | E♭ Major | 0 | 5B | 83 BPM | ||
Daphnis et Chloe: Part II: Anime et rude | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
The School for Scandal, Op. 5 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | A Minor | 0 | 8A | 131 BPM | ||
Verklärte Nacht, Op. 4: III. Pesante (Arr. for String Orchestra by Schoenberg - 1943 Revised Version) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | A♭ Minor | 2 | 1A | 144 BPM | ||
Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, David Zinman | C Major | 0 | 8B | 73 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM |
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