Leonard Bernstein, Jennie Tourel, New York Philharmonic made "Symphony No. 1 "Jeremiah": I. Prophecy" available on 1960. Since Symphony No. 1 "Jeremiah": I. Prophecy is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 20 in Bernstein: O Jermiah & Symphony No. 1 & I Hate Music & La Bonne Cuisine by Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphony No. 1 "Jeremiah": I. Prophecy is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Symphony No. 1 "Jeremiah": I. Prophecy by Leonard Bernstein, Jennie Tourel, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Prelude | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | C Major | 4 | 8B | 99 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM | ||
Grand Canyon Suite: I. Sunrise | Ferde Grofé, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 137 BPM | ||
Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 2 | 7B | 99 BPM | ||
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
Carmen Suite No. 1: Les Toréadors. Allegro giocoso (Introduction to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 113 BPM |
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