Alexander Borodin, Leonard Bernstein, New York Philharmonic's 'Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens' came out on November 17, 2017. The duration of Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Polovetsian Dances and other Russian Favorites (Remastered)". In this album, this song's track order is #1. In terms of popularity, Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prince Igor: Polovtsian Dances (Remastered): No. 8, Dance of the Polovtsian Maidens by Alexander Borodin, Leonard Bernstein, New York Philharmonic having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in D Major "Titan": Ia. Langsam, schleppend | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 74 BPM | ||
Sylvia: Act II: Danse des Ethiopiens | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E Minor | 0 | 9A | 114 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch | Paul Hindemith, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 77 BPM | ||
Symphony No.3 In D Minor / Part 2: 6.- Langsam. Tempo I - Live | Gustav Mahler, New York Philharmonic, Leonard Bernstein | D Major | 0 | 10B | 111 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F Major | 1 | 7B | 70 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |
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