Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia made "Sylvia: Act II: Danse des Ethiopiens" available on January 17, 1996. With Sylvia: Act II: Danse des Ethiopiens being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. In terms of popularity, Sylvia: Act II: Danse des Ethiopiens is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sylvia: Act II: Danse des Ethiopiens by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Le Corsaire: Act I - "20. Variation: Medora, Pasha" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 108 BPM | ||
Dubinushka, Op. 62 | Nikolai Rimsky-Korsakov, Orchestre de la Suisse Romande, Ernest Ansermet | A♭ Major | 4 | 4B | 95 BPM | ||
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
La source, ou Naila: Suite No. 3: Suite No. 3: Finale | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 66 BPM | ||
Rapsodie espagnole, M. 54: III. Habanera | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
Coppelia: Act III - La paix (Pas de deux) | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 71 BPM |
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