Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) - Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia Information

Acousticness: 98%
Danceability: 42%
Energy: 8%
Instrumentalness: 82%
Liveness: 15%
Loudness: 56%
Speechiness: 3%
Valence: 36%
Popularity: 20%
Loudness: -26.145 dB

Summary

Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia's 'Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation)' came out on November 15, 2005. With this song being about 5 minutes long, at 4:34, "Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation)" by Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Villa-Lobos: Bachianas Brasileiras (Complete) by Heitor Villa-Lobos, Andrew Mogrelia, Kenneth Schermerhorn. The song's track number on the album is #3 out of 29 tracks. In terms of popularity, Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) BPM

Since Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) by Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.

Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) Key

This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Violin Concerto No. 3 in B Minor, Op. 61: III. Molto moderato e maestoso	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	G Major	2	9B	96 BPM
The Year 1941, Op. 90: II. In the Night	Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop	F Major	1	7B	80 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	F Minor	0	4A	60 BPM
10 Pieces, Op. 12: No. 7. Prelude	Sergei Prokofiev, Olli Mustonen	C Major	1	8B	77 BPM
El sombrero de tres picos, Pt. 1: III. Danza de la molinera	Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas	D Major	1	10B	121 BPM
Piano Concerto No. 3 in D Minor, Op. 30: II. Intermezzo - Adagio	Sergei Rachmaninoff, Khatia Buniatishvili, Paavo Järvi	D♭ Major	0	3B	69 BPM
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon	Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin	B♭ Major	3	6B	93 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7435319423675537

End: 0.746706485748291