Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon - Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin Information

Acousticness: 84%
Danceability: 14%
Energy: 33%
Instrumentalness: 93%
Liveness: 4%
Loudness: 75%
Speechiness: 4%
Valence: 5%
Popularity: 24%
Loudness: -15.261 dB

Summary

"Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon" by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin was released on November 5, 2013. The duration of Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon is about 3 minutes long, at 3:09. Based on our data, "Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Ravel: Orchestral Works, Vol. 2". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon BPM

With Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon by Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon Key

This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Japanese Suite, Op. 33: III. Dance of the Marionette	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	0	5A	177 BPM
Delius: 2 Aquarelles: No. 2, Gaily, But Not Quick (Arr. Fenby for String Orchestra)	Frederick Delius, Sir Neville Marriner, Academy of St. Martin in the Fields	B♭ Major	4	6B	113 BPM
Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato	Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax	D Minor	1	7A	98 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	174 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein	G Major	3	9B	111 BPM
Kinderszenen, Op.15: 2. Kuriose Geschichte	Robert Schumann, Martha Argerich	D Major	0	10B	66 BPM
Kinderszenen, Op.15: 12. Kind im Einschlummern	Robert Schumann, Martha Argerich	E Minor	0	9A	123 BPM
12 Etudes, Op. 8 (1894): No. 4 Piacevole	Alexander Scriabin, Alexander Paley	B Major	0	1B	64 BPM

ISRC: HKI191306315
Label: L-M Records/RCA Records

Section: 0.829758882522583

End: 0.8351871967315674