"ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り" by Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra was released on 2008. With ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in ムソルグスキー:「展覧会の絵」ラヴェル編、禿山の一夜、ボロディン:ダッタン人の踊り、「中央アジアの草原にて, so we believe that "ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り" is a single. ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ダッタン人の踊り (歌劇 イーゴリ公より) 3 男たちの激しい踊り by Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvorák: Serenade for Strings, Op. 22, B. 52: I. Moderato | Antonín Dvořák, English Chamber Orchestra & Sir Charles Mackerras, Sir Charles Mackerras, English Chamber Orchestra | E Major | 0 | 12B | 80 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Prince Igor (Knyaz Igor): Overture | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | G Minor | 2 | 6A | 71 BPM | ||
Variation 3: Con moto | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | A Minor | 0 | 8A | 70 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): II. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 66 BPM | ||
A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Richard Hickox, Bournemouth Symphony Orchestra | E Major | 0 | 12B | 135 BPM | ||
Romanze für Viola und Orchester in F-Dur, Op. 85 | Max Bruch, Philharmonie Baden-Baden, Hartmut Rohde, Pavel Baleff | F Major | 1 | 7B | 75 BPM |
Section: 0.8380515575408936
End: 0.8420703411102295