Paul Hindemith, Leonard Bernstein, New York Philharmonic's 'Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch' came out on November 2, 2018. With this song being about 5 minutes long, at 4:41, "Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch" by Paul Hindemith, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leonard Bernstein's "Hindemith: Symphonic Metamorphoses & Concert Music, Op. 50 - Honegger: Pacific 231 & Rugby & Pastorale d'été" album is number 4 out of 13. Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Metamorphoses on Themes of Carl Maria von Weber: IV. Marsch by Paul Hindemith, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass: IX. Gospel-Sermon: "God Said" - Live | Leonard Bernstein, Timothy McDevitt, Zachary James, Julia Burrows, J.D. Webster, Lyn Philistine, Benjamin Krumreig, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | C Minor | 3 | 5A | 147 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": II. Scherzo. Sehr mäßig | Robert Schumann, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 83 BPM | ||
Trumpet Concerto | Alexander Arutiunian, Philip Smith, New York Philharmonic, Kurt Masur | A Major | 2 | 11B | 84 BPM | ||
Serenade No. 2 in A Major for Small Orchestra, Op. 16: II. Scherzo. Vivace - Trio | Johannes Brahms, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 106 BPM | ||
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
Symphony No.102 in B-Flat Major, Hob. I:102: II. Adagio | Joseph Haydn, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 89 BPM | ||
A White House Cantata / Part 1: Lud's Wedding | Leonard Bernstein, Barbara Hendricks, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano | G Major | 2 | 9B | 82 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
Le carnaval des animaux, R. 125: 4. Tortues | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 0 | 6B | 137 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Major | 4 | 8B | 87 BPM |
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