Leonard Bernstein, Barbara Hendricks, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano made "A White House Cantata / Part 1: Lud's Wedding" available on January 1, 2000. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 18 in Bernstein: A White House Cantata by Leonard Bernstein, London Symphony Orchestra, Kent Nagano. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. A White House Cantata / Part 1: Lud's Wedding is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of A White House Cantata / Part 1: Lud's Wedding by Leonard Bernstein, Barbara Hendricks, Kenneth Tarver, London Voices, London Symphony Orchestra, Kent Nagano is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Peter and the Wolf, Op. 67: Andantino, come prima - Meno Mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romance. Andante | Wolfgang Amadeus Mozart, Leonard Bernstein, New York Philharmonic | D♭ Major | 7 | 3B | 96 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 73 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Peter and the Wolf, Op. 67: Allegro moderato | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Carnival of the Animals: XIV. Finale | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | C Major | 3 | 8B | 94 BPM | ||
English Folk Song Suite: 2. Intermezzo: My Bonny Boy | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 0 | 5A | 64 BPM |
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