"Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein was released on January 1, 1982. The duration of Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) is about 3 minutes long, at 3:01. Based on our data, "Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 10. Intermezzo: Dorabella (Allegretto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione II: Tempo del Tema | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 168 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 4. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 1 | 3B | 173 BPM | ||
Symphony No. 3 in A Minor, Op. 56 "Scottish" (Remastered): I. Andante con moto - Allegro un poco agitato - Assai animato | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | A Minor | 2 | 8A | 111 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Japanese Suite, Op. 33: II. Ceremonial Dance | Gustav Holst, Ulster Orchestra, Joann Falletta | D♭ Major | 1 | 3B | 108 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM |
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