Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra made "Carnival of the Animals: XIV. Finale" available on January 1, 2005. The duration of Carnival of the Animals: XIV. Finale is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Carnival of the Animals: XIV. Finale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #14. In terms of popularity, Carnival of the Animals: XIV. Finale is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carnival of the Animals: XIV. Finale by Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra) | Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba | C Minor | 1 | 5A | 108 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Le Carnaval des Animaux, R. 125: 13. Le Cygne | Camille Saint-Saëns, Christopher van Kampen, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | G Major | 0 | 9B | 130 BPM | ||
Oboe Concerto in C Major, K. 314: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Olivier Stankiewicz, Jaime Martin, London Symphony Orchestra | C Major | 1 | 8B | 117 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
España - Rhapsody for Orchestra | Emmanuel Chabrier, London Symphony Orchestra, Ataúlfo Argenta | F Major | 3 | 7B | 122 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
Carmen Suite No. 2: Danse bohème | Georges Bizet, London Symphony Orchestra, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM |
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