Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's 'Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace' came out on January 1, 1985. Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado's "Mendelssohn: Symphonies Nos.4 "Italian" & 5 "Reformation"" album is number 1 out of 8. In terms of popularity, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace by Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I | Felix Mendelssohn, Ruth Ziesak, Mojca Erdmann, Christian Elsner, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | D♭ Major | 0 | 3B | 80 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | F Minor | 1 | 4A | 128 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Dance of the Knights | Sergei Prokofiev, André Previn, London Symphony Orchestra | C Major | 1 | 8B | 86 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo - Live | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | D♭ Major | 0 | 3B | 84 BPM |
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