"Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I" by Felix Mendelssohn, Ruth Ziesak, Mojca Erdmann, Christian Elsner, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl was released on December 14, 2010. Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Jun Markl's "Mendelssohn: Symphony No. 2, "Lobgesang"" album is number 1 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 2 in B-Flat Major, Op. 52, MWV A18, "Lobgesang" (Hymn of Praise): I. Sinfonia: Maestoso con moto - Allegro - Maestoso con moto come I by Felix Mendelssohn, Ruth Ziesak, Mojca Erdmann, Christian Elsner, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Glazunov : Violin Concerto in A minor Op.82 : III Allegro | Alexander Glazunov, Maxim Vengerov, Claudio Abbado, Berliner Philharmoniker | A Major | 2 | 11B | 141 BPM | ||
Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio | Franz Schubert, Riccardo Muti, Wiener Philharmoniker | D Major | 0 | 10B | 98 BPM | ||
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Lalo: Symphonie espagnole, Op. 21: II. Scherzando (Allegro molto) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | G Major | 0 | 9B | 103 BPM | ||
Cello Concerto In D Minor - III. Introduction | Édouard Lalo, Dimanche FR | D Major | 2 | 10B | 91 BPM | ||
Hungarian Rhapsody No.8 in F sharp minor, S.244 | Franz Liszt, Roberto Szidon | F♯ Minor | 2 | 11A | 77 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia | Ottorino Respighi, Konstantin Scherbakov | G Minor | 2 | 6A | 96 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Quartet: Wohlan, alle die ihr durstig seid (Soprano, Alto, Tenor, Bass) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Minor | 7 | 2A | 129 BPM |
Section: 0.7497966289520264
End: 0.7534563541412354