Franz Schubert, Riccardo Muti, Wiener Philharmoniker's 'Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio' came out on July 15, 1997. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Schubert - Symphonies Nos. 1 & 6 "Unfinished"". In this album, this song's track order is #5. In terms of popularity, Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Symphony No. 1 in D Major, D. 82: III. Menuetto (Allegro) - Trio by Franz Schubert, Riccardo Muti, Wiener Philharmoniker having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto e vivace | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 79 BPM | ||
Orpheus In The Underworld (Orphée aux enfers): Can-Can - Live | Jacques Offenbach, Wiener Philharmoniker, Lorin Maazel | D Major | 6 | 10B | 172 BPM | ||
12 Études, Op. 10: No. 7 in C Major "Toccata" | Frédéric Chopin, Maurizio Pollini | F♯ Major | 3 | 2B | 112 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Der Jüngling an der Quelle, D.300 | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | A Major | 0 | 11B | 174 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Nocturne No.10 In A Flat, Op.32 No.2 | Frédéric Chopin, Maurizio Pollini | A♭ Major | 0 | 4B | 76 BPM | ||
String Quartet No. 1 in E minor "From my Life": 3. Largo sostenuto | Bedřich Smetana, Takács Quartet | A♭ Major | 0 | 4B | 174 BPM | ||
Ein Morgen, ein Mittag, ein Abend in Wien: Ouvertüre | Franz von Suppé, Zubin Mehta, Wiener Philharmoniker | F Major | 2 | 7B | 142 BPM |
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