Ottorino Respighi, Konstantin Scherbakov's 'Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia' came out on December 12, 1997. The duration of Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Respighi: Piano Music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: VI. Passacaglia by Ottorino Respighi, Konstantin Scherbakov having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Treasury of Melodies, JB 1:49: I. Preludium. Lento | Bedřich Smetana, Jitka Čechová | D Major | 0 | 10B | 119 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Menuet sur le nom de Haydn | Maurice Ravel, Jean-Yves Thibaudet | G Major | 0 | 9B | 100 BPM | ||
Piano Concerto in A Minor, Op. 7: II. Romanze: Andante non troppo con grazia | Clara Schumann, Veronica Jochum, Bamberg Symphony, Joseph Silverstein | A♭ Major | 0 | 4B | 69 BPM | ||
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
Intermezzo in A-Flat Major, Op. 76, No. 3 | Johannes Brahms, Arcadi Volodos | A♭ Major | 0 | 4B | 67 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM |
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