"Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht" by Bedřich Smetana, Jitka Čechová was released on March 13, 2009. With Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Smetana: Piano Works, Vol. 4". In this album, this song's track order is #12. Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht by Bedřich Smetana, Jitka Čechová having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 70 BPM | ||
Sonata in A Minor, L 241 | Domenico Scarlatti, Vladimir Horowitz | E Minor | 0 | 9A | 79 BPM | ||
Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
Variations on a Theme of Chopin, Op. 22: Variation No. 16 Lento | Sergei Rachmaninoff, Daniil Trifonov | D♭ Major | 0 | 3B | 177 BPM | ||
The Kiss, JB 1:104, Act II, Scene 3: What a Chase He Led Me! (Lukáš, mladý vdovec, Tomeš, švagr Lukášův) | Bedřich Smetana, Beno Blachut, Přemysl Kočí, Prague National Theatre Orchestra, Zdeněk Chalabala | F Minor | 4 | 4A | 102 BPM |
Section: 0.767561674118042
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