"Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro" by Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden was released on 2003. Since Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Sabine Meyer spielt Weber". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto for Clarinet and Orchestra No. 1 in F minor J114 (Op. 73): Allegro by Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alpensymphonie, Op.64: Ausklang | Richard Strauss, Staatskapelle Dresden, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 142 BPM | ||
Quintett No.3 in E flat for solo Clarinet and String Orchestra Op.23: III. Allegro | Heinrich Joseph Baermann, Sabine Meyer, Kenneth Sillito, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 66 BPM | ||
Piano Concerto in E Major, Op. 59: IV. Allegro deciso | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | E Major | 2 | 12B | 84 BPM | ||
Symphonic Metamorphoses on Themes of Carl Maria von Weber: I. Allegro | Paul Hindemith, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 105 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM |
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