"Strauss, R: Also sprach Zarathustra, Op. 30: Introduction" by Richard Strauss, Staatskapelle Dresden, Rudolf Kempe was released on March 29, 2013. With Strauss, R: Also sprach Zarathustra, Op. 30: Introduction being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 100 Komponisten, die man gehört haben muss, so we believe that "Strauss, R: Also sprach Zarathustra, Op. 30: Introduction" is a single. Strauss, R: Also sprach Zarathustra, Op. 30: Introduction is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Strauss, R: Also sprach Zarathustra, Op. 30: Introduction by Richard Strauss, Staatskapelle Dresden, Rudolf Kempe is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dambusters: March: 'The Dam Busters' | Eric Coates, Slovak Radio Symphony Orchestra | C Major | 1 | 8B | 148 BPM | ||
Elektra, op. 58: Ich will nichts hören! | Richard Strauss, Orchestra del Maggio Musicale Fiorentino, Dimitri Mitropoulos, Martha Mödl, Anny Konetzni | F Major | 3 | 7B | 75 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Der Freischütz, J. 277: Overture | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | C Major | 2 | 8B | 70 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Adrian Leaper | G Minor | 1 | 6A | 71 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Der Zigeunerbaron: Ouvertüre | Johann Strauss II, Münchner Rundfunkorchester/Willi Boskovsky, Willi Boskovsky, Muenchner Rundfunkorchester, Munich Radio Orchestra | B♭ Major | 1 | 6B | 86 BPM | ||
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM |
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