Georges Bizet, London Symphony Orchestra, Sir Neville Marriner's 'Carmen Suite No. 2: Danse bohème' came out on January 1, 2001. With this song being about 5 minutes long, at 4:37, "Carmen Suite No. 2: Danse bohème" by Georges Bizet, London Symphony Orchestra, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 24 in Bizet: Carmen Suites/L'Arlesienne Suites/Jeux d'enfants by Georges Bizet, London Symphony Orchestra, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Carmen Suite No. 2: Danse bohème's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 2: Danse bohème by Georges Bizet, London Symphony Orchestra, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Can Can | Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner | D Major | 7 | 10B | 82 BPM | ||
La Grande Duchess de Gerolstein, Acte III (Tableau 2): No 19: Entracte et Galop | Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Grenoble, Marc Minkowski | D Major | 4 | 10B | 92 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Mozart, L: Toy Symphony: II. Menuetto (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 121 BPM | ||
String Quartet No. 2 in D: Nocturne | Alexander Borodin, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 77 BPM | ||
Dolly Suite, Op. 56 (1894-97): Berceuse | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 134 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 4 | 9B | 91 BPM |
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