On June 10, 2022, the song "The Can Can" was released by Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner. With The Can Can being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 56 in Classical Clips Vol. 2 by Nikita Magaloff, Alexander Borodin, Antonín Dvořák, Antonio Vivaldi, Aram Khachaturian, Camille Saint-Saëns, Claude Debussy, Dmitri Shostakovich, Edvard Grieg, Edward Elgar, Erik Satie, Felix Mendelssohn, Frédéric Chopin, George Frideric Handel, Gustav Mahler, Jacques Offenbach, Johann Sebastian Bach, Johann Strauss II, Léo Delibes, Ludwig van Beethoven, Maurice Ravel, Pietro Mascagni, Pyotr Ilyich Tchaikovsky, Remo Giazotto, Richard Wagner, Samuel Barber, Sergei Prokofiev, Sergei Rachmaninoff, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. The Can Can is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of The Can Can by Jacques Offenbach, Philharmonia Orchestra, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust: Waltz | Charles Gounod, Slovak Radio Symphony Orchestra, Richard Hayman | A♭ Major | 1 | 4B | 118 BPM | ||
The Stars And Stripes Forever | Slovak Radio Symphony Orchestra, John Philip Sousa | D Major | 4 | 10B | 129 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 64 BPM | ||
La vie parisienne: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | F Major | 4 | 7B | 89 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
The Danube Waves: Donauwellen, Walzer | Ion Ivanovici, Budapest Strauss Ensemble, Istvan Bogar | C Major | 2 | 8B | 95 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM |
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