Giselle / Act 2: Grand pas de deux: Adage - Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge Information

Acousticness: 92%
Danceability: 26%
Energy: 3%
Instrumentalness: 73%
Liveness: 7%
Loudness: 50%
Speechiness: 4%
Valence: 10%
Popularity: 34%
Loudness: -29.98 dB

Summary

"Giselle / Act 2: Grand pas de deux: Adage" by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge was released on 1987. Giselle / Act 2: Grand pas de deux: Adage is about six minutes long, preciously at 6:29, making this song fairly long compared to other songs. The song is number 8 out of 34 in Adam: Giselle by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Giselle / Act 2: Grand pas de deux: Adage is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Giselle / Act 2: Grand pas de deux: Adage BPM

The tempo marking of Giselle / Act 2: Grand pas de deux: Adage by Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Giselle / Act 2: Grand pas de deux: Adage Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato)	Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman	E♭ Major	1	5B	170 BPM
Romance No. 2 In F Major, Op. 50	Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven	F Major	1	7B	88 BPM
Swan Lake, Op. 20: No. 5. Pas de Deux: I. Tempo di valse ma non troppo vivo, quasi moderato	Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler	D Major	1	10B	180 BPM
Grand Caprice on Schubert's Der Erlkönig, Op. 26	Heinrich Wilhelm Ernst, Jiří Vodička	G Minor	2	6A	88 BPM
Rigoletto / Act 1: "Gualtier Maldè...Caro nome"	Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli	E Major	0	12B	85 BPM
Piano Concerto No. 4 in G Minor, Op. 40: I. Allegro vivace	Sergei Rachmaninoff, Bernd Glemser, Polish National Radio Symphony Orchestra, Antoni Wit	B♭ Major	2	6B	92 BPM
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries	Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery	A Major	1	11B	130 BPM
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	B♭ Major	3	6B	160 BPM
Autumn (L'Automno) Op.8 No.3 Major: Allegro (La Caccia)	Baroque Festival Orchestra, Alberto Lizzio	C Major	0	8B	147 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	D Minor	0	7A	117 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6207106113433838

End: 0.6240179538726807