Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González made "Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise" available on October 13, 2017. The duration of Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Bizet: Carmen & L'arlésienne Suites by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise is currently average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Emperor Waltz, Op. 437 | Johann Strauss II, Eugene Ormandy | C Major | 1 | 8B | 92 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 4. Villanesca | Rafael Ferrer, Enrique Granados, Barcelona Symphony and Catalonia National Orchestra, Salvador Brotons | C Major | 0 | 8B | 78 BPM | ||
El Sombrero de Tres Picos: IV. Las Uvas | Manuel de Falla, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Kazushi Ono, Marina Rodríguez-Cusí | C Major | 3 | 8B | 74 BPM |
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