Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio
Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli
Elgar: Cello Concerto
5:18 1965
BPM
93
Key
B♭ Major
Camelot
6B

Embed

Share Link

Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio - Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli Information

Acousticness
95%
Danceability
16%
Energy
6%
Instrumentalness
86%
Liveness
10%
Loudness
57%
Speechiness
5%
Valence
3%
Popularity
Loudness
-26.071 dB

Summary

"Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli was released on 1965. With this song being about 5 minutes long, at 5:18, "Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Elgar: Cello Concerto by Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, Dame Janet Baker, London Symphony Orchestra. In terms of popularity, Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio BPM

The tempo marking of Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio Key

B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: I. Rêveries - PassionsHector Berlioz, London Symphony Orchestra, Sir Colin DavisC Major08B139 BPM
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio by Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel GoughSinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. AdagioWolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel GoughE♭ Major05B130 BPM
Kol Nidrei, Op. 47 by Max Bruch, János Starker, London Symphony Orchestra, Antal DorátiKol Nidrei, Op. 47Max Bruch, János Starker, London Symphony Orchestra, Antal DorátiD Major110B85 BPM
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 by Felix Mendelssohn, Jacqueline du Pré, Gerald MooreMendelssohn: Song Without Words in D Major, Op. 109, MWV Q34Felix Mendelssohn, Jacqueline du Pré, Gerald MooreD Major010B93 BPM
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso by Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko UchidaPiano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mossoLudwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko UchidaB Major01B81 BPM
Five Pieces For Two Violins and Piano: I. Prelude by Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanFive Pieces For Two Violins and Piano: I. PreludeDmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar GolanG Major09B85 BPM
Symphony No. 4 in A Major, Op. 90, MWV N 16, Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivaceFelix Mendelssohn, London Symphony Orchestra, Claudio AbbadoA Major111B115 BPM
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro by Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserViolin Concerto No. 3 in G Major, K. 216: III. Rondeau: AllegroWolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen GunzenhauserG Major19B119 BPM
Concerto for Violin & Orchestra, Op. 14: 2. Andante by Samuel Barber, Gil Shaham, London Symphony Orchestra, André PrevinConcerto for Violin & Orchestra, Op. 14: 2. AndanteSamuel Barber, Gil Shaham, London Symphony Orchestra, André PrevinE Major112B84 BPM
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea by Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John BarbirolliElgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at SeaEdward Elgar, Janet Baker, London Symphony Orchestra, Sir John BarbirolliC Major18B86 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7373292446136475

End: 0.7411351203918457