"Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli was released on 1965. With this song being about 5 minutes long, at 5:18, "Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio" by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 9 in Elgar: Cello Concerto by Edward Elgar, Jacqueline du Pré, Sir John Barbirolli, Dame Janet Baker, London Symphony Orchestra. In terms of popularity, Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio by Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: I. Rêveries - Passions | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 139 BPM | ||
Sinfonia Concertante for Four Winds in E-Flat Major, K. 297b: II. Adagio | Wolfgang Amadeus Mozart, Jaime Martin, London Symphony Orchestra, Timothy Jones, Juliana Koch, Chris Richards, Rachel Gough | E♭ Major | 0 | 5B | 130 BPM | ||
Kol Nidrei, Op. 47 | Max Bruch, János Starker, London Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 85 BPM | ||
Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73: II. Adagio un poco mosso | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle, Mitsuko Uchida | B Major | 0 | 1B | 81 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16, "Italian": I. Allegro vivace | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | A Major | 1 | 11B | 115 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: III. Rondeau: Allegro | Wolfgang Amadeus Mozart, Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | G Major | 1 | 9B | 119 BPM | ||
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM |
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