"Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo" by Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic was released on January 26, 2018. Since Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Tchaikovsky: Symphony No. 2 in C Minor, Op. 17 "Little Russian"". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 2 in C Minor, Op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo by Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM | ||
Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | E♭ Major | 0 | 5B | 118 BPM | ||
Symphony No. 8: II. Scherzo. Allegro moderato — Trio. Langsam (Slow). Scherzo da capo | Anton Bruckner, New York Philharmonic, Alan Gilbert | A♭ Major | 1 | 4B | 109 BPM | ||
Concertino for Horn and Orchestra in E minor, Op. 45: Adagio - Andante | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | E Minor | 0 | 9A | 140 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
The Rite of Spring, Part 1: V. Ritual of the Rival Tribes | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | C Minor | 3 | 5A | 165 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Swan Lake | HAUSER | B Minor | 4 | 10A | 83 BPM | ||
Symphony No.2 in B minor: 1. Allegro | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | G Major | 2 | 9B | 133 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM |
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