Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery's 'Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2)' came out on November 5, 2010. Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Tchaikovsky: Onegin, Theme and Variations, Ballet Imperial". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. In terms of popularity, Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Opening Scene - Dance Of The Young Girls (Onegin Ballet Suite No 1 & 2) by Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirees musicales, Op. 9: V. Tarantella | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 2 | 6B | 80 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 9, Des Müllers Blumen | Franz Schubert, Wilhelm Müller, Fritz Wunderlich, Kurt-Heinz Stolze | A Major | 2 | 11B | 79 BPM | ||
Paquita: Variation 2: Tempo di valse (by Pouni) | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | E Major | 1 | 12B | 88 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
La fille mal gardée / Act 1: 16. Simone - 19. Storm and Finale | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 2 | 6A | 110 BPM | ||
Giselle: Act I: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 129 BPM | ||
Giselle: Act I: Entree de Loys | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 117 BPM | ||
Lensky's Variation - Pas De Deux (Onegin Ballet Suite No 4 & 5) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A♭ Major | 9 | 4B | 125 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM |
Section: 1.164461612701416
End: 1.1687285900115967