"Prince Igor / Act 2: Dance of the Polovtsian Maidens" by Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen was released on January 1, 1985. The duration of Prince Igor / Act 2: Dance of the Polovtsian Maidens is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Prince Igor / Act 2: Dance of the Polovtsian Maidens's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 6 in the song's album "Tchaikovsky: 1812 Overture / Borodin: Polovtsian Dances / Balakirev: Islamey etc". In this album, this song's track order is #3. In terms of popularity, Prince Igor / Act 2: Dance of the Polovtsian Maidens is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Prince Igor / Act 2: Dance of the Polovtsian Maidens by Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | B♭ Major | 3 | 6B | 157 BPM | ||
Sweelinck Variations, Op. 56 "Mein junges Leben hat ein End'": Variation 3. Energico (non troppo vivace) | Karl Höller, Bavarian Radio Symphony Orchestra, Eugen Jochum | D Minor | 5 | 7A | 117 BPM | ||
Symphony No. 1 in D Major, D. 82: IV. Allegro vivace | Franz Schubert, Bavarian Radio Symphony Orchestra, Lorin Maazel | D Major | 3 | 10B | 140 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: Gewitter und Sturm, Abstieg (Thunder and Storm, Descent) - | Richard Strauss, Bavarian Radio Symphony Orchestra, Mariss Jansons | G Major | 2 | 9B | 72 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): The Balcony Scene | Sergei Prokofiev, Esa-Pekka Salonen | C Major | 0 | 8B | 80 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": IV. Spring Round | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM |
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