"Requiem" by Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon was released on 2000. Requiem is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 1 out of 14 in Borodin: Requiem, Polovtsian Dances, In the Steppes of Central Asia, Nocturne, Petite Suite by Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Stephanie Chase, Margaret Field, Geoffrey Simon. Requiem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem by Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovtsian dances Dance 2 in F Major from Prince Igor | Philharmonia Orchestra, Suzannah Bee | F Major | 3 | 7B | 83 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: III. Allegro vivace | Robert Schumann, Otto Klemperer, Annie Fischer, Philharmonia Orchestra | C Minor | 1 | 5A | 96 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Philharmonia Orchestra, Giuseppe Sinopoli | E Minor | 1 | 9A | 64 BPM | ||
Piano Quintet No. 1 in D Minor, Op. 89: I. Molto moderato | Gabriel Fauré, Cristina Ortiz, Fine Arts Quartet | E Major | 0 | 12B | 82 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Death of Usurer: Adagio | Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 108 BPM | ||
Otello / Act IV: Ave Maria, piena di grazia | Giuseppe Verdi, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | E Minor | 0 | 9A | 81 BPM | ||
Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi | Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D♭ Major | 0 | 3B | 76 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | E♭ Major | 1 | 5B | 64 BPM | ||
Petrushka, K012 (1947 Version), Pt. 4, "The Shrovetide Fair (Evening)": V. Dance of the Coachmen and Grooms | Igor Stravinsky, Philharmonia Orchestra, Santtu-Matias Rouvali | A Major | 3 | 11B | 113 BPM |
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