Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra's 'Rossini: The Thieving Magpie: Overture' had a release date set for January 1, 1960. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Rossini: Overtures". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of Rossini: The Thieving Magpie: Overture is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: The Thieving Magpie: Overture by Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delirien Waltz, Op.212 | Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 97 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Morgenblätter, Op. 279 | Johann Strauss II, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 96 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 - "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 81 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.7 in C Minor (Allegro assai) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 2 | 5A | 134 BPM | ||
The Sleeping Beauty, Op. 66, TH 13 / Act 1: 6. Valse | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | B♭ Major | 2 | 6B | 102 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | ||
Carmen / Act 1: Prélude | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 125 BPM |