Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin's 'Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"' came out on January 1, 1994. With this song being about 5 minutes long, at 4:58, "Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 12 in Bel Canto Arias by Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" by Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Pasquale, Act I Quinta Scena: Pronto io son, purch'io non manchi (Norina/Malatesta) | Gaetano Donizetti, Mirella Freni, Riccardo Muti, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
Puccini: Manon Lescaut, Act 1: "Donna non vidi mai" (Des Grieux) | Giacomo Puccini, José Cura, Philharmonia Orchestra, Plácido Domingo | A♭ Major | 0 | 4B | 181 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Symphony of Psalms: III. Psalm 150 (entire) | Igor Stravinsky, Simon Joly Chorale, Philharmonia Orchestra, Robert Craft | B♭ Major | 0 | 6B | 109 BPM | ||
The Bells of Dawn (Zoryu b’yut) | Georgy Sviridov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | F♯ Minor | 1 | 11A | 61 BPM | ||
Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.1 Scherzo | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 123 BPM |
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