Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi
Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen
Schubert: Masses Nos. 1 & 3
2:08 September 28, 2010
BPM
76
Key
D♭ Major
Camelot
3B

Embed

Share Link

Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi - Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen Information

Acousticness
98%
Danceability
19%
Energy
2%
Instrumentalness
28%
Liveness
8%
Loudness
50%
Speechiness
4%
Valence
5%
Popularity
Loudness
-29.713 dB

Summary

"Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi" by Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen was released on September 28, 2010. The duration of Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schubert: Masses Nos. 1 & 3". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi BPM

With Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi by Franz Schubert, Trine Wilsberg Lund, Dorothea Craxton, Bettina Ranch, Min Woo Lim, Andreas Karasiak, Assaf Levitin, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Mass No. 1 in F Major, D. 105: Agnus Dei: Agnus Dei, qui tollis peccata mundi Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer by Jean Sibelius, Håvard Gimse6 Bagatelles, Op. 97: No. 3: Kleiner WalzerJean Sibelius, Håvard GimseE Major112B83 BPM
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro by Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of EnlightenmentBrandenburg Concerto No. 4 in G BWV1049: I. AllegroJohann Sebastian Bach, Monica Huggett, Orchestra of the Age of EnlightenmentF♯ Major12B89 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro by Tomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisOboe Concerto in D Minor, Op. 9, No. 2: III. AllegroTomaso Albinoni, Anthony Camden, London Virtuosi, John GeorgiadisD Minor37A101 BPM
Ich habe genug, BWV 82: Aria: Ich habe genug by Johann Sebastian Bach, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardIch habe genug, BWV 82: Aria: Ich habe genugJohann Sebastian Bach, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas WardC Minor15A64 BPM
The Firebird: Scene 1: The Firebird's Lullaby by Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris NelsonsThe Firebird: Scene 1: The Firebird's LullabyIgor Stravinsky, City Of Birmingham Symphony Orchestra, Andris NelsonsB Major01B117 BPM
Miserere, ZWV 57: I. Miserere I by Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánMiserere, ZWV 57: I. Miserere IJan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises IllánB Minor310A75 BPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Requiem, Op. 48: Libera me by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe HerrewegheRequiem, Op. 48: Libera meGabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe HerrewegheD Minor07A62 BPM
Chant du menestrel for Cello and Orchestra, Op. 71 by Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinChant du menestrel for Cello and Orchestra, Op. 71Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor GolovschinF♯ Minor011A87 BPM
Nocturne No.19 In E Minor, Op.72 No.1 by Frédéric Chopin, Maurizio PolliniNocturne No.19 In E Minor, Op.72 No.1Frédéric Chopin, Maurizio PolliniB Major01B139 BPM
ISRC
HKI191007709
Label
L-M Records/RCA Records

Section: 0.6133029460906982

End: 0.6218194961547852