- BPM
- 62
- Key
- D Minor
- Camelot
- 7A
Requiem, Op. 48: Libera me - Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe Information
- Acousticness
- 97%
- Danceability
- 23%
- Energy
- 4%
- Instrumentalness
- 0%
- Liveness
- 15%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 23%
- Loudness
- -24.093 dB
Summary
"Requiem, Op. 48: Libera me" by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe was released on 2002. With this song being about 5 minutes long, at 4:41, "Requiem, Op. 48: Libera me" by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Fauré: Requiem by Philippe Herreweghe, Collegium Vocale Gent, La Chapelle Royale. Requiem, Op. 48: Libera me is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem, Op. 48: Libera me BPM
The tempo marking of Requiem, Op. 48: Libera me by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Requiem, Op. 48: Libera me Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gaudent in caelis | Asprilio Pacelli, Mark Williams, Eamonn Dougan, The Sixteen | F Major | 2 | 7B | 101 BPM | |
 | Requiem No. 1 in C Minor: Sanctus | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | A♭ Major | 1 | 4B | 77 BPM | |
 | Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | |
 | Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | |
 | Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | |
 | St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | |
 | Dixit Dominus, HWV 232: Juravit Dominus | George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Major | 1 | 7B | 103 BPM | |
 | L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" | George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze | A Major | 1 | 11B | 84 BPM | |
 | Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | |
 | Porgy and Bess: Act I Scene 1: Summertime | George Gershwin, Andrew Litton, Cynthia Haymon, Dallas Symphony Chorus, Dallas Symphony Orchestra | E Major | 1 | 12B | 62 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7052779197692871
End: 0.7086207866668701