"L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn"" by George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze was released on June 12, 2007. Since L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 18 out of 18 in As Steals the Morn...Handel: Arias & Scenes for Tenor by George Frideric Handel, Mark Padmore, The English Concert, Andrew Manze. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Allegro, Il Penseroso, ed il Moderato, HWV 55, Part III: "As steals the morn" by George Frideric Handel, Lucy Crowe, Mark Padmore, The English Concert, Andrew Manze is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 59 BPM | ||
Apollo e Dafne, HWV 122: Aria: Cara pianta, co'miei pianti (Dearest laurel, with my tears) (Apollo) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Minor | 1 | 11A | 82 BPM | ||
Requiem, Op.48: 5. Agnus Dei (I) | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Minor | 0 | 7A | 76 BPM | ||
Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Minor | 0 | 7A | 72 BPM | ||
Der Freischütz, J. 277 / Act III: "Und ob die Wolke sie verhülle" | Carl Maria von Weber, Gundula Janowitz, Staatskapelle Dresden, Carlos Kleiber | A♭ Major | 1 | 4B | 84 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Matthäus-Passion: Zweiter Teil, 68. Chorus I & II Wir setzen uns mit Tränen nieder | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | B Minor | 3 | 10A | 81 BPM | ||
Dido and Aeneas / Act 1: "Shake the cloud from off your brow" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 1 | 5A | 103 BPM | ||
À Chloris | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 185 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM |
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