"Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie" by Gabriel Fauré, Paavo Järvi, Orchestre de Paris had its release date on September 5, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 11 in Fauré Requiem, Cantique de Jean Racine by Gabriel Fauré, Philippe Jaroussky, Matthias Goerne, Orchestre de Paris, Paavo Järvi. Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: Requiem in D Minor, Op. 48: I. Introït et Kyrie by Gabriel Fauré, Paavo Järvi, Orchestre de Paris is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Requiem, Op.48: 1. Introitus: Requiem aeternam - Kyrie | Gabriel Fauré, The Monteverdi Choir, Salisbury Cathedral Boy Choristers, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 74 BPM | ||
Ave Verum, Op. 65/1 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | G Minor | 0 | 6A | 87 BPM | ||
Requiem, Op. 9 (1961 version): Lux aeterna | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | B♭ Major | 0 | 6B | 84 BPM | ||
Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | G Minor | 0 | 6A | 169 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Purcell : King Arthur : Act 5 "Fairest Isle" [Soprano] | William Christie | A♭ Major | 0 | 4B | 127 BPM | ||
Les nuits d'été, Op. 7: 2. Le spectre de la rose | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM |